A rhyme scheme is the pattern of rhyme between lines of a poem or song. It is usually referred to by using letters to indicate which lines rhyme. In other words, it is the pattern of end rhymes or lines. A rhyme scheme gives the scheme of the rhyme; a regular pattern of rhyming words in a poem (the end words).
For example “A,B,A,B,” indicates a four-line stanza in which the first and third lines rhyme, as do the second and fourth. Here is an example of this rhyme scheme from To Anthea, Who May Command Him Any Thing by Robert Herrick:
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There are many different such forms, each with its own associations and resonances to cause a particular effect on the reader. A basic distinction is between rhyme schemes that apply to a single stanza, and those that continue their pattern throughout an entire poem (see chain rhyme). There are also more elaborate related forms, like the sestina – which requires repetition of exact words in a complex pattern.
In English, highly repetitive rhyme schemes are unusual.[citation needed] English has more vowel sounds than Italian, for example, meaning that such a scheme would be far more restrictive for an English writer than an Italian one – there are fewer suitable words to match a given pattern. Even such schemes as the terza rima (“aba bcb cdc ded…”), used by Dante Alighieri in The Divine Comedy, have been considered too difficult for English.
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[edit] Example rhyme schemes
- Chant royal: Five stanzas of “ababccddedE” followed by either “ddedE” or “ccddedE”. (The capital letters indicate a line repeated verbatim.)
- Cinquain: “A,B,A,B,B”
- Clerihew: “A,A,B,B”
- Couplet: “A,A”, but usually occurs as “A,A, B,B C,C D,D …”
- Enclosed rhyme (or enclosing rhyme): “ABBA”
- “Fire and Ice” stanza: “ABAABCBCB” as used in Robert Frost’s poem “Fire and Ice”
- Keatsian Ode: “ABABCDECDE” used in Keat’s Ode on Indolence, Ode on a Grecian Urn, Ode to a Nightingale and Ode to Psyche.
- Limerick: “AABBA”
- Monorhyme: “A,A,A,A,A…”, an identical rhyme on every line, common in Latin and Arabic
- Ottava rima: “A,B,A,B,A,B,C,C”
- Rhyme royal: “ABABBCC”
- Scottish stanza: “AAABAB”, as used by Robert Burns in works such as “To a Mouse“
- The Raven stanza: “ABCBBB”, or “AA,B,CC,CB,B,B” when accounting for internal rhyme, as used by Edgar Allan Poe in “The Raven”
- Rondelet: “AbAabbA”
- Rubaiyat: “AABA”
- Simple 4-line: “ABCB”
- Sonnet


